Road Ahead

Even as I tried to post this, Safari was giving me issues. It further adds to my delusions of persecutions in regards to my creative outputs. Nobody outside a family circle gives a shit about this, and you can display it all in any way you can, you can shout to the world, but few, if any, will respond in an important way. I’ve often abandoned the efforts to make something out of this imagination, but I never once turned off the lights inside. New work is coming, is always will be, sometimes its just taken longer than it ought to have. Attached is a small preview.

Back on film

In the coming weeks I'll be posting the first, of many, images of a project, that I've been long overdue in tackling. We're going back to film on this one, so results won't be quick, but that only makes it that much sweeter. Stay tuned


Short Lived

So what started off as a promising journey ended up being short lived as my time in California was cut short for a number of reasons. The only positive way to think about this experience is through images like these, moments I wouldn't have had if I had done anything else in my life but take this adventerous chance. Here are some of the images I've made while on my 6,300 mile journey to California and back again to New England. 

3,300 miles closer

Much like one of those stories you hear about of now famous stars, who made daring journeys to become what they are, I have moved from my comfortable roots in New England, to the hustle of Southern California. All of this I've done in an attempt to connect with more like minded individuals in photography, art and the film business. It's already been a hard few weeks and this evening I got more terrible news in regards to some personal matters. Still I persist and I'm glad to keep you all informed on how this all goes, if you read this blog or view my work, thank you. 

A word on exporting

          How often is your trouble shooting related to on site photographing and how often is it related to your postproduction? In the case of my latest shoot with model Chelsey Taylor, the later turned out to be my biggest hardship. In a number of my shots I covered the front of my lens with a red gel sheet. This could have easily been done as an after effect in Photoshop but by using a filter in the moment, it gave me an additional surge of inspiration, seeing the results in camera immediately has a way of rewarding you instantly. So I rolled with this surreal concept of covering her world in red. The trouble I ran into was in my attempt to export these images to her through Facebook and Instagram.

          I knew about image compression and the degrading that results from passing around digital files, however with such extreme color being present in my images, this caused another issue. While they appeared crisp before my export, the end result was a blurry, low resolution looking image. The solution to this problem.

1- resize your images, with the long side at 2080 pixels, 300 dpi

2- convert your image to sRGB

3- then save to the web with the following settings on the image below. (check progressive, leave convert color and embed color profile unchecked.)

(I converted my image twice in the color space options, this was my error.)

Then export and enjoy in the sharing with your creative members. You can also read more on this exporting process at the following link, which helped me out.

So don’t forget folks, remember that your images go on a journey while exporting and can end up becoming something else at the end of the trip. 

Full speed without fast shutters

Here's a cool article I came across in which photographer Joshua Paul shoots F1 racing events with none other than a 4x5 film camera, and one from the dawn of the 19th century at that. Again very cool stuff worth spreading. News courtesy of Petapixel.  



Thanking Darkroom Gallery and Blue Mitchell

It's not only in good manners to thank others for choosing your work to be displayed in an exhibit but a call for entry can also pave a way for more inspiration. In the case of the Darkroom Gallery and the latest exhibit, "Abstraction", I gained more ideas from Blue Mitchell, photographer and juror. His work can be seen here. Thank you for your selections.


Back to Boston

This past weekend, I went up to Boston, to collaborate once again with a model whom I've had the pleasure and privilege to work with before, Chelsey Angers. She manages to take direction and yet spin a bit of her own idea into the mix, making shooting that much more interesting. That alone wouldn't work though. During the process of shooting, my mind was running. It was windier than I was expecting, and I did not have a weight for my diffusion umbrella, which I had plans of using. Not only that but a screw was loose in the bag, it was needed so I could use my flash remotely. What to do when your original plan falters, and now your using more time to find things than to take shots? Scrap the idea and move on, I didn't have all day, plus I had a remote cable. This was one example of how I had to adjust to make better use of my time, don't always become fixated on accessories, let your inner voice speak for your shots.

There are other moments but let's get to the favorites from this shoot. I wanted to focus my energies towards making street shots, rather than high fashion, experimental ideas that I usually have in my head. Its in these shots that I believe, I've found a split second moment where simple posing ends and something shines through 

Face to face

Once again I'm face to face with a model, and that familiar feeling returns, that sense of dread. "I know I can get a worthwhile image out of this session, but how?". I'm experimenting, hypothesizing, searching for that moment "ah ha" moment, where it all begins to make sense. I recently photographed Sarah M Faire, a model from my home state of CT, and it's my first step back into fashion and beauty photography. It's been some time now and as I expected, it was a rewarding experience, not because I got outstanding images with every press of the shutter but because I was facing challenges that I've felt before. Ms. Faire was a worthwhile model, she was on time, more than prepared and took directions well, but my challenge remains, how do I make an image that's about something and not of something? 

The answer isn't simple and the journey to finding, and creating a great moment on camera takes on different roads. What I''ll leave you with though are a few of my favorites.    

Monochrome Award

Just one look at the winning images on gave me a brief feeling of trepidation. There are a lot of works of art here that leave me speechless but I made a submission with confidence and my entry was recognized in the abstract category, it can be seen here. I want to thank the jurors of mono awards and even if it wasn't accepted, it was only 20$, you don't have much to loose and you still get your work in front of somebody.      

Le Paysage

I wanted to thank Ms. Sandrine Hermand-Grisel for choosing one of my pieces to be a part of the upcoming exhibit from the Darkroom Gallery, entitled "Le Paysage". I wanted to include a link to her site, not only as a thank you to her but because I had a genuine resonance with some of her images and you may as well.

and below is a link to the Darkroom Gallery's website which I've had the pleasure of submitting to before, you might have an image lying somewhere that might just fit a call for entry.

Goodbye and re-awakening

I've through faults of my own and from other things I couldn't control had left photography behind me for some time but it all comes back, wanting to become a part of my life again. As things have improved for me lately I have been able to afford to bring back this site and its with this rejuvenation that I'd like to share some work I've come across that broadened my mind and its with these kind of artists that I suddenly feel capable again. Check it out.