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As if I was there in person.

When one time isn’t good, there’s another opportunity waiting in slumber. I had hoped to have done a shoot with another artist earlier this year, Emma Jayne Heather, but timing worked against me… or did it? I later setup another shoot with her, but was limited in only doing a remote shoot because of long distance. At first glance this seemed like it would deter creative ideas, but it in fact showed me just how close you can get to a real in person shoot without actually being present in the room with another. Although that is still very much a big desire.

Doing my best to avoid being like a salesperson (though it does feel good when the product is this cool) I gotta say this is a nifty, and even almost obvious idea. It’s called TeamViewer, and this program allows you to remotely control another person’s DSLR that is hooked up to their computer via vethered shooting. I control another person’s laptop as if I was there in person, and I had control over the shutter, F/Stop and damn near anything you can do with it.

Framing and other obvious tasks that involve physically moving the camera of course had to be handled on the model’s end, no software can do that (so far). And yes there is a small delay to account for when you click on the shutter, which doesn’t actuate the real shutter button till a second later, but that is a small caveat for what is otherwise amazing tech and computing.

If remote shooting seems like it might hinder you from seeking work with models that aren’t in your area, or face difficulties in resuming with in person shoots, consider looking up this software and pass it on. And check out her work to see how well this style of shooting can go.

Anoushanou

Road Ahead

Even as I tried to post this, Safari was giving me issues. It further adds to my delusions of persecutions in regards to my creative outputs. Nobody outside a family circle gives a shit about this, and you can display it all in any way you can, you can shout to the world, but few, if any, will respond in an important way. I’ve often abandoned the efforts to make something out of this imagination, but I never once turned off the lights inside. New work is coming, it always will be, sometimes its just taken longer than it ought to have. Attached is a small preview.

Full speed without fast shutters

Here's a cool article I came across in which photographer Joshua Paul shoots F1 racing events with none other than a 4x5 film camera, and one from the dawn of the 19th century at that. Again very cool stuff worth spreading. News courtesy of Petapixel.

https://petapixel.com/2017/05/13/photographer-shoots-f1-1913-graflex-4x5-view-camera/  

 

 

Thanking Darkroom Gallery and Blue Mitchell

It's not only in good manners to thank others for choosing your work to be displayed in an exhibit but a call for entry can also pave a way for more inspiration. In the case of the Darkroom Gallery and the latest exhibit, "Abstraction", I gained more ideas from Blue Mitchell, photographer and juror. His work can be seen here. Thank you for your selections.

Learn-more-about-the-Digital-Concept-show-at-the-Darkroom-Gallery.jpg

Back to Boston

This past weekend, I went up to Boston, to collaborate once again with a model whom I've had the pleasure and privilege to work with before, Chelsey Angers. She manages to take direction and yet spin a bit of her own idea into the mix, making shooting that much more interesting. That alone wouldn't work though. During the process of shooting, my mind was running. It was windier than I was expecting, and I did not have a weight for my diffusion umbrella, which I had plans of using. Not only that but a screw was loose in the bag, it was needed so I could use my flash remotely. What to do when your original plan falters, and now your using more time to find things than to take shots? Scrap the idea and move on, I didn't have all day, plus I had a remote cable. This was one example of how I had to adjust to make better use of my time, don't always become fixated on accessories, let your inner voice speak for your shots.

There are other moments but let's get to the favorites from this shoot. I wanted to focus my energies towards making street shots, rather than high fashion, experimental ideas that I usually have in my head. Its in these shots that I believe, I've found a split second moment where simple posing ends and something shines through 

Le Paysage

I wanted to thank Ms. Sandrine Hermand-Grisel for choosing one of my pieces to be a part of the upcoming exhibit from the Darkroom Gallery, entitled "Le Paysage". I wanted to include a link to her site, not only as a thank you to her but because I had a genuine resonance with some of her images and you may as well. 

http://www.hermandgrisel.com/index.php

and below is a link to the Darkroom Gallery's website which I've had the pleasure of submitting to before, you might have an image lying somewhere that might just fit a call for entry.

www.darkroomgallery.com